It went through a number of planning stages.
This was my original square:
Although the background suggested it, I did not want to 'turn traditional', and at first thought I could stretch, turn, mirror and replicate the shape of the orginal motif. Planning by photoshop and sketching looked like this.
Of course, eight of the blocks - i.e. all the ones that would have been not the original size - would have been pieced. But somehow this didn't really talk to me.
Then we had a left-over square anyway, and Barbara offered to give me hers, too, so I figured I could use three instead of only one. I also had a piece of a real Afghan tchador (if that's what it's called there), which I had dyed blue, and started figuring out how to include that.
|The embroidered squares were inset into |
circles, and a couple of other circles added
A lot of handstitching, some quilting on the the longarm, and quite a bit more handstitching followed.
|Extra stitching added to alter character of pre-stitched cloth|
|green stitches on the yellow cloth were done by my son, |
when he was trying out a bit of embroidery
And with all the refugee crisis, my involvement in and exhaustion from volunteer work the title simply suggested itself, because while I was stitching, I kept thinking about the woman who had made the squares, hoping that this work is enough to keep her well supplied for where she is, without having to think about possible leaving her country via a dangerous and unpromising migration to countries where things would be so different, difficult...
|"Thinking of Nasrin", 60 x 120 cm|