Repetition and Pattern - Uta

I finally got to a point where I can show you what I have been doing for Barbara's assignment, Repetition and Pattern. As I have started playing around with text, this is not a pieced quilt. (I even made a little sketch - but since this is not the assignment where I have to prove that I was sketching...)

After marking a grid on the piece of snow-dyed fabric I had chosen (a remnant from my sales with exactly the right width - can't let anything go to waste!) I auditioned different sizes of font before taping up the letters for increased stability:

A first stitching around the edges, to get past the stage where I still had to fiddle with the letters. In honor of the name of the group, of course - very thready it was!

This is the piece vefore washing out the stabilizing embroidery fleece:

Here you can see what it looked like after a good wash, and a detail.

It's quilted now, it only needs the binding. But I will save that until I finish Gillian's assignment, and then do both of them together.

text messages 6

Quilt No 3 Change of scale: Mended Door

Quilt number 3 finally completed after several months marinating on the design wall.  The smaller scale area  is a photo of part of a patched, mended door with newer wood inserts among the old on Queen Charlottes Cottage in the grounds of Kew Gardens. The larger scale  shapes and colours are based on some of the sections of the photo, a mixture of African batik, hand dyed and monoprints with acrylic paint.  I  used different weight threads ( 40 and 12) in these areas to further emphasise the change of scale.
I'm not having much luck with  my measurements when cutting down for binding, This quilt is actually 40 x 79 cm as the quilting with 12wt thread drew up the fabric more than anticipated. Red Stapelia  is 39 x 80 cm as I made exactly the same mistake as I did  with grey fingerprint quilt despite writing down all the measurements!

Quilt No 1 : Red Stapelia

  My quilt for our first challenge 'Red' has been almost finished for a long time.  A wholecloth piece of Japanese silk shibori  layered over an African damask ,  it's been a labour of love, hand stitched  using a variety  of loops and other stitches  trying out techniques from Helen Parrott's book. It's accompanied  me on several train journeys, the format of 40 x 80 cm being a good travel piece to work on. This weekend I finally got round to trimming it down and applying a facing.
It looks quite sinister and plant-like  reminding me of the carrion flower so I'm calling it 'Red Stapelia' .

October Challenge - Sketch

I think it is my turn to set the challenge

Sketch!

I would love to have more time to do some proper drawing and sketching. I am sure it would make my quilts look better and design easier. I just need to make time or set myself a goal or a challenge.

So I want to set you all a challenge…

You must show some evidence of sketching

It could be from a photograph, or you could go out and sketch from real life, you could also draw an object inside, maybe from a museum or a treasured item in your home. You could also just start by doodling!

From the sketch you could carry out some design work to make an abstract design or you could paint a realistic picture and make a whole cloth quilt.

You must post a picture of your starting sketch on the blog

So Uta, you did some quilts from your son’s drawing so now you need to do one from your own drawings.

Size 40cm x 80cm

Any technique or colour

Gillian

While I have been quiet since joining the group, I have not been idle.  I completed 4 small quilts mostly using fabric that was originally made for other larger quilts.  Working in the 40 x 80 cm size was both a plus and a minus. Since I only use my own shibori dyed fabric, and I usually quilt my work quite heavily, it was a relief to work small and to actually complete a piece in a reasonable time.  I am working on 3 very large pieces for an invited show right now and the task is exhausting (but exhilarating, too).  I found the tall narrow format challenging in that it was hard for me to get proportions right, and I'm still not sure that these are the best.  Still rather than let the perfect be the enemy of the good, here they are:

                                                            Texture through repetition:

Change in Scale:

                                                   Black grey and white with a little color:

                                                                           Red:

So, there they are.  I think that I'm now caught up with the rest of the group. and I also think that I'll try to attend the show in Prague.
One last thing:  Let's all send our own Kathy Loomis a great big CONGRATULATIONS on having her work included in Quilt National 2015!  Way to go, Kathy!

Up to date

Here is my latest quilt for Barbara's challenge.
In July we cycled in France, along the Loire, then up to Chartres, across to Rouen and then along the coast from Dieppe to Le Harve - about 900kms. We had a lovely final day in Le Harve,  The centre of the town is a UNESCO World Heritage site, designed by Perret in the late 40's 50's. The architecture is fascinating and I loved the regular lines, blocks, and patterns and could see the repetition everywhere.
I was going to make a very abstract quilt but in the end went for a "conventional contemporary quilt".
As always with my quilts...Happy memories
Here are a couple of the many photos I took

This is the quilt before stitching

Gillian

Quilt no.3

It's Finally Finished .Sorry for the delay.

"Falling Leaves"6 (Large - Small)

"Textures"4 (Narrow - Wide)

Working on Projeft 4

Comming soon.

Ita Ziv.

Quilt no. 2

 

Hi

 

I was not pleased with my earlier quilt so I made  another one.

 

 



Quilt no. 3 - Scale

 

 

Here is my 3rd quilt

 

 

 



Quilt 3 in Progress

I've started piecing this  'change of scale'  quilt ( having abandoned an earlier idea,)  but I'm afraid the indigo vat is calling this weekend...